Edinburgh Cinema

Edinburgh’s cinemas have their own, different feel. When I visit them, I’ll be writing about both the film and the place, giving you the organic experience. Film critics on the big scale can’t really cater for this, so I hope my reviews bring something extra in this respect.

The Favourite

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If playwright Harold Pinter does brilliant depictions of the menace and impotence of male experience within patriarchy, then this film, Yorgos Lanthimos's The Favourite, produces a stunning equivalent of female power games in a dog-eat-dog world. This felt like a 'woman' film, where boy-meets-girl romance is simply – and peripherally – a means to a...
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Mortal Engines

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Mortal Engines If the anime films of Studio Ghibli and writer/artist Hayao Miyazaki were to be turned into live action movies, they would look like this. Steam punk machines, whirring aircraft and zeppelins, with utopian valleys and dystopian wastelands sharing screen time, reminding us of how one can turn into the other through the rapacious consu...
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Creed 2

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Creed 2 I remember Rocky IV in the mid-1980s, at the peak of Reagan's (and Donald Trump's) America. It's a film so mesmerizingly patriotic to American exceptionalism, the boxer 'Italian Stallion' Rocky Balboa as the plucky underdog, avenging the brutal death of his friend Apollo Creed by taking on the steroid-abusing giant who killed said friend in...
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Widows

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Widows A taut, stylish heist movie spotlighting destinies of gender and race in the U.S., Widows is the kind of movie I'd forgotten they still make for adults. Contrasted with multiverse fantasies like Crimes of Grindelwald, Widows is proof you can have several characters as vivid, substantial, and delicately drawn, while the action and the tension...
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The Crimes of Grindelwald

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The Crimes of Grindelwald A curious film, one to categorize under 'part of a series' than self-contained. But you sit down to these 'multiverse' sagas from Marvel and Warner Bros. (et al) expecting the cliff-hanger concept that really belongs to TV shows. With this expectation, I entered the dark cinema an intrepid explorer like Eddie Redmayne's Ne...
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Bohemian Rhapsody

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Bohemian Rhapsody It's received so-so reviews, a biopic imbued with a trashy, karaoke lack of quality. But I quite like Bohemian Rhapsody. The star turn by Rami Malek as the iconic Freddie Mercury is on the nose, projecting talent, swagger and vulnerability. His loneliness as his marriage ends is poignant, with the other band members settling down ...
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Venom

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The trailer for this film was not encouraging: Tom Hardy becoming host to a slimy parasitic alien of fangs and giant tongue, with blank membrane eyes. The hero turned into unsettling CGI nightmare: is this really what I wanted for my hero? After the event, I can say that the film is better than the trailer, and progressively has its giant, sli...
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First Man

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First Man In an age of flag-waving white power, this film could have been a Trumpian Triumph of the Will, a paean to American greatness. But in focusing on Neil Armstrong (played by Ryan Gosling), his associates and his family, First Man is a curious thing: a gaze at the tree, rather than the forest, in a way that feels substantial. From the b...
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A Star Is Born

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A Star Is Born Before the film review, my background focus on its star. I love the work of Lady Gaga, up to and including the fluorescent brilliance of her album Artpop (2013). It coincided with an important period in my life, a year of upheaval when I realized I wouldn't live to please the norms of others anymore. Gaga's album was a sci-fi or...
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BlacKkKlansman

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 BlacKkKlansman In an age of the absence of subtlety, BlacKkKlansman is arguably the perfect movie to tackle the issue of racism in America. It presents a black-and-white world of good versus evil, of racism and its opposite, in a clear-cut binary relationship. The cops – with one clear exception – are reasonable, anti-racist people, while the...
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My Week in Netflix: Denial and The Stanford Prison Experiment

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 My Week In Netflix: Denial and The Stanford Prison Experiment Denial (2016) is a film I was frustrated to miss at the cinema. Starring the ever-brilliant Rachel Weisz and Timothy Spall, it covers the real-life events of Holocaust-denier David Irving and his lawsuit against academic Deborah Lipstadt, who had accused Irving of wilful distortion...
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The First Purge

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 The First Purge A dystopian near-future with America under the control of white supremacists, The First Purge is the prequel to a crossover trilogy of horror and social commentary of disturbing prescience. Given political developments in the US since 2016 in particular, I'd place this film up there with Get Out! (2017) as the kind of twisted ...
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Sicario 2: Soldado

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 Sicario 2: Soldado Islamist terror meets drug cartels and Mexican immigration: thus, does Sicario 2 begin, in literally explosive fashion. What emerges after the opening set pieces, however, is strangely un-dramatic, despite the best attempts of Josh Brolin and Benicio Del Toro to re-create the amoral desert of the original Sicario (2015). Wh...
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I Don't Feel At Home In This World Anymore

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 I Don't Feel At Home In This World Anymore (Netflix) My flatmate's been out of town for a few days, which has encouraged me to use the sofa in our living room a bit more often. This has never been an issue between us, she likes to stretch out on the sofa while I take the kitchen table. But these past few evenings alone in the flat have m...
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Miss Maria, Skirting the Mountain

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Miss Maria, Skirting the Mountain (Edinburgh Film Fesitval) As a snapshot of what it is to be a transgender female in a rural, religious setting, without medical aid or sympathy, I'd recommend this documentary. Miss Maria, Skirting the Mountain (2017), follows forty-something Maria in the foothills and pastures of Andean Colombia. The scenery ...
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Jurassic World: Fallen Kingdom

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Jurassic World: Fallen Kingdom Darker and more disturbing than any Jurassic Park film before, Jurassic World: Fallen Kingdom is an epic, popcorn movie that channels our pessimistic current zeitgeist, leaving me to leave the cinema with a feeling of unease. I watched this film and thought of the way the real world is going, with a feeling of dread. ...
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The Breadwinner

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 The Breadwinner Afghanistan. The Taliban. A youthful female protagonist, gender-bending for the sake of her family's survival. The Breadwinner is a hypnotic, enchanting animation that has, at its core, the tensest of dynamics, sometimes re-calibrated with kaleidoscopic colours and emotions. Mixing brutal realities with recurring fai...
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Solo: A Star Wars Story

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 Solo: A Star Wars Story Growing up as a Star Wars fanatic, my favourite character was Han, the reluctant Star Wars hero who grounded the original trilogy with a cynical humanity. Luke and Leia were just too perpetually honourable to have arcs: only Han, you felt, might genuinely have contemplated a descent into the Dark Side. Such darkness is...
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Lean On Pete

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Lean On Pete (on at Edinburgh Filmhouse) Patriarchy and capitalism both take a beating in Lean On Pete. It's a film about a youthful 15-year-old boy, Charlie (an award-winning performance by Charley Plummer) who rescues a condemned horse and takes it with him on a personal quest across wastelands and highways to find his surrogate mother, foll...
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Beast

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Beast I spent most of yesterday alone, after an exhausting week of ambivalent conclusions, and this made the dark and brooding Beast weirdly appropriate. The movie focuses on two outsiders, psychologically traumatised Moll and poacher Pascal Renouf, both inhabiting an island world of rugged coastlines, crashing waves, and an anally-retentive middle...
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